I use both traditional and innovative printmaking methods to create multiples and works in series.
Often my monoprints stray from traditional techniques while rendering unique images of familiar - or almost familiar - subjects. Each individual object gains poignance when I present them in a series as stories of style and subject.
Birds’ Mouths I, 2024
14 ½” x 30”
Cyanotype with Pen
Birds’ Mouths II, 2024
22” x 29 ¾”
Cyanotype with Chalk
Office I, 2024
22” x 30”
Cyanotype with Pen
Cement - Red State I, 2024
16 ½” x 35 ½”
Etching and Drypoint
Cement - Black State I, 2024
16” x 35 ¾”
Etching and Drypoint
Cement - Grey State I, 2024
16” x 35 ¾”
Etching and Drypoint
LA Fire Aftermath, 2024
27 ½” x 18 ¾”
Drypoint
LA Fire Early, 2024
29 ½” x 21 ¼”
Drypoint with Pastel
LA Fire Peak, 2024
30” x 22 ½”
Drypoint
Mushroom - Grey State, 2024
30” x 23 ½”
Drypoint
Mushroom - Green State, 2024
30” x 23 ½”
Drypoint
Mushroom - Blue State, 2024
30” x 23 ½”
Drypoint
Wake (Serra) III , 2024
17 ½ “x 21”
Collaged Etching with Ink
Wake (Serra) II , 2024
21” x 25”
Monoprint
Wake (Serra) I , 2024
21 ¼” x 24 ¾”
Drypoint
Altadena Aftermath - Turquoise State, 2024
38 ½” x 16”
Drypoint
Altadena Aftermath - Violet State, 2024
37 ½” x 15 ½”
Drypoint
Altadena Aftermath - Black State, 2024
37 ½” x 16”
Drypoint
Cooling Tower 1/9, 2024
24” x 18”
Woodblock
Cooling Tower 2/9, 2024
24” x 18”
Woodblock
Cooling Tower 3/9, 2024
24” x 18”
Woodblock
